18th Century Girls Gone Wild

Loretta reports:

Though I’ve blogged about Lady (Seymour) Worsley before (here and here), I only recently read Hallie Rubenhold’s book, The Lady in Red.  In it we find not only a more detailed picture of the lady, her strange marriage, and the sensational 1782 crim. con. trial, but insights into the world of the 18th century English aristocracy.  We're familiar with aristocratic Men Behaving Badly.  But in Rubenhold’s book you’ll find episodes of Girls Gone Wild. 

On 14 January 1779, Lady Worsley, age 21, and her friends, the two Misses Cramer, unable to persuade their host to lend them a coach for a trip to Leeds, rode off with his cart horses.

“En route the ladies ‘stopt at one of the inns and ordered the waiter to show them into such a room, which he told them he could not do, as it was kept for the officers of the Militia and their colours, etc., were there’.  Upon hearing this, Seymour and the Miss Cramers became ‘determined to go in and took the pokers and broke open the door, then they heated them red hot and pop’d them into the colours which set them in a blaze’ . . . ‘How do you think they quenched the flame their own fair selves had caused?  The did not call water!  Water!, it was more at hand . . .’  These three well-bred young ladies . . .lifted their silk skirts ‘and fairly pissed it out . . .’”

After which they had fun at the windows.  “One of their victims . . . had the misfortune of sauntering by in ‘his best coat & wig & laced waistcoat’.  As he passed beneath them ‘they threw some water,  I really don’t know what sort upon him, and immediately a large bag of soot which covered him entirely over’ . . . After they had thoroughly raised terror at the inn, the gang proceeded on their cart-horses to  . . . the home of Walter Spencer Stanhope, where ‘they broke upon his library, threw all his books about, and  . . . took away a pockett book full of Bank Notes’.”

The girls went on like this for three days.

Illustration:  Thomas Rowlandson. Two Girls Tippling.  Courtesy Yale Center for British Art, Paul Mellon Collection