Sunday, August 29, 2010

Riding Habit 1817

Loretta reports:

I'm always thrilled to find riding habits and court dresses in the fashion magazines, because these are not nearly so common as evening dresses and walking dresses.  This is one very like what I had imagined my heroine Zoe (of Don't Tempt Me) wearing.

I cannot pin down the "Glengary" element, since it doesn't correspond with definitions I've found elsewhere, including Louis Harmuth's 1915 Dictionary of Textiles.  The cap doesn't look like today's idea of a Glengarry cap, and, being made of satin, doesn't fit the "mottled wool" definition below.  Perhaps one of our knowledgeable readers can enlighten us.


From Ackermann's Repository of Arts, Literature, Fashions, Manufactures, &c., The Second Series, Vol. IV. September 1,  1817.  No. XXI
~~~~~
PLATE 16.—THE GLENGARY* HABIT

Is composed of the finest pale blue cloth,** and richly ornamented with frogs and braiding to correspond. The front, which is braided on each side, fastens under the body of the habit, which slopes down on each side in a very novel style, and in such a manner as to form the shape to considerable advantage. The epaulettes and jacket are braided to correspond with the front, as is also the bottom of the sleeve, which is braided nearly half way up the arm. Habit-shirt, composed of cambric, with a high standing collar, trimmed with lace. Cravat of soft muslin, richly worked at the ends, and tied in a full bow. Narrow lace ruffles. Head-dress, the Glengary cap, composed of blue satin, and trimmed with plaited ribbon of various shades of blue, and a superb plume of feathers. Blue kid gloves, and half-boots.

*Glengarry—All-wool, mottled English tweed.  (?????)

**Cloth—1, general term for fulled woolen fabrics; 2, general term for any textile fabric having some body; 3, medieval English worsted made six yards long and two yards wide.

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